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Studio: Miraval (Correns),Soundtree (London)

Title: Wild God

Official Release: 30 August 2024

Cover: front

Bitrate: 320 kbps, joint stereo

Art Rock / Alternative Rock / Spoken Word (Australia)

Track listing:

1. Song of the Lake

2. Wild God

3. Frogs

4. Joy

5. Final Rescue Attempt

6. Conversion

7. Cinnamon Horses

8. Long Dark Night

9. O Wow O Wow (How Wonderful She Is)

10. As the Waters Cover the Sea

TORRENT

Nick Cave: “I hope the album has the effect on listeners that it’s had on me. It bursts out of the speaker, and I get swept up with it. It’s a complicated record, but it’s also deeply and joyously infectious. There is never a masterplan when we make a record. The records rather reflect back the emotional state of the writers and musicians who played them. Listening to this, I don’t know, it seems we’re happy.” Across ten tracks, the band dance between convention and experimentation, taking left-turns and detours that heighten the rich imagery and emotion in Cave’s soul-stirring narratives. It is the sound of a group emboldened by reconnection and taking flight. There are moments that touch fondly upon the Bad Seeds’ past but they are fleeting, and serve only to imbue the relentless and restless forward motion of the band. Produced by Nick Cave and Warren Ellis, and mixed by David Fridmann, Nick Cave began writing the album on New Year’s Day 2023. With sessions at Miraval in Provence and Soundtree in London, the Bad Seeds added their unique alchemy, with additional performances from Colin Greenwood (bass) and Luis Almau (nylon string guitar, acoustic guitar)

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London Grammar — The Greatest Love (2024)
Release date September 13, 2024
Indie Pop / Electronic (UK)

1 House

2 Fakest Bitch

3 You and I

4 LA

5 Ordinary Life

6 Santa Fe

7 Kind of Man

8 Rescue

9 Into Gold

10 The Greatest Love
TORRENT
The Greatest Love is the fourth upcoming studio album by English band London Grammar, which was released on September 13, 2024 on Metal & Dust and Ministry of Sound labels. The album was preceded by three singles — "House", "Kind of Man" and "Into Gold"

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Floating Points — Cascade (2024)

Release date September 13, 2024

Electronic / Tech House / IDM / Experimental (UK)

Label: Ninja Tune

Track listing:

1. Vocoder [Club Mix] 07:31

2. Key 103 07:22

3. Birth 4000 04:46

4. Del Oro 06:14

5. Fast Forward 07:38

6. Ocotillo 08:43

7. Afflecks Palace 06:38

8. Tilt Shift 04:40

9. Ablaze 03:57

TORRENT

 Sam Shepherd aka Floating Points has announced his new album Cascade will be released on 13 September via Ninja Tune. Along with the announcement Shepherd has shared lead single 'Key103' which comes with visuals continuing his ongoing collaboration with Tokyo based artist Akiko Nakayama.

 Cascade is an eruption of unfinished business. In late 2022, Shepherd – renowned for drifting between genres as freely as his stage name implies – found himself in the Californian desert working on something new. Mere Mortals, his first ballet score, created with the San Francisco Ballet, was to be a collision of sound and dance exploring the ancient parable of Pandora through the prism of technology. "It was one of quite a few left turns I was taking around that time", recalls Shepherd. You can say that again: Promises, his multiple end-of-year-list-topping previous record, released in 2021, had seen him swap his typical modular synth tapestries and intricate drum patterns for airy dreamscapes, crafted with late legendary saxophonist Pharoah Sanders and the London Symphony Orchestra. It was a collaboration so popular, a Mercury Prize nomination and sold-out show at the Hollywood Bowl in September 2023 followed.
Between these projects and an upcoming anime score for Adult Swim - from the outside it might have seemed as though Shepherd was departing the dance floor for good. But as he wrote his ballet score by day, at night he found himself longing for the sweaty communion of a dance floor. For the pulse-racing abandon of electronic music.

Shepherd released Crush, his rave-reviewed second studio album, in November 2019. It was hailed as one of the albums of that year by Pitchfork, The Independent, Mixmag, Loud And Quiet and more – "but I never got to explore its ravey, experimental side live", laments the musician, whose world tour was cancelled due to lockdown. Cascade was devised as a follow-on from Crush that would allow him (and audiences) to experience Floating Points in its traditional form on a dancefloor once more: bursting with Buchla rhythms, glitching melodies bewitching a room full of heaving bodies. "It’s meant to be kind of a continuation", adds Shepherd. This explains Cascade’s artwork: another colourful sleeve, full of fluid imagery (created once more by Akiko Nakayama). It also explains its evocative title: like Crush, one word that implies movement, beauty and pressure. Most importantly, it explains its mesmerising sound: sumptuous sonic chasms to lose yourself in again and again.

 Creating the album stripped Shepherd back. Not only in terms of his set-up – "I have a studio at home with all the gear I usually use, but I wasn’t there so I had to use my laptop, doing it all on headphones", he says – but in terms of his connection to electronic music, and to his home city where his love of music first flourished. "There’s something about Manchester that keeps coming back to me, and I think it’s partly to do with its record shops", says the producer, who found himself instinctively naming tracks after local landmarks and institutions. "As a kid, my school was around the corner from the Northern Quarter so at lunchtimes, I’d run out of the school gates and skip lunch altogether to go and listen to records. I’m sure I was a total pain in the arse constantly pulling records off the shelves", he laughs, "but it was amazing. I’d be listening to Autechre at Pelican Neck, Dilla at Fat City, David Morales mixes at the Factory Records shop… It gave me a parallel education in music to what I was being taught at school". This can be found in multiple tracks on the album including lead single 'Key103' - named after "an underground Manchester radio station I’d listen to religiously" that helped expand his music sensibilities beyond the classical composers he focused on in his academic work (Shepherd studied composition at Chetham's School of Music).

 Other tracks took inspiration from the dust bowl surroundings off the Californian desert, but make no mistake: Cascade is a record forged in an adolescence spent in Manchester, discovering the mind-expanding (and emotion-purging) power of electronic music in all its forms. Though devised as a continuation of Crush, Cascade nonetheless pushes Floating Points’ sound forward into new places. The nine songs here are allowed to smoulder and spark for up to eight minutes at a time, allowing for more expansive exploration of sounds and grooves than before. Almost a decade on since Elaenia, his revered debut album, the composer has discovered ways to thread his experiments outside of club music seamlessly into his music designed for the dancefloor. "I’m just constantly chasing challenges", says Shepherd, explaining how this album fits into his ever-expanding web of creative projects, of which there are many. "I always want to keep things moving and go all in on things that excite me. Whether that’s working with a 100-piece orchestra on a ballet or on a laptop on my own", Shepherd grins. Cascade is the proof – when it comes to electronic innovation and simmering tracks that stand hairs on end, Floating Points will always, always have unfinished business

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Clark - In Camera (2024)

Country: UK

Released: September 13, 2024

Genre: Electronic

Style: Ambient, Leftfield, Soundtrack

Track listing:

1.Green Wash 01:02

2.Green Breaking 03:50

3.Superstar 03:00 video

4.Bleeding Building 03:03

5.Running Dreams 03:24

6.It's 450 02:44

7.Probe 03:20

8.Bo 01:18

9.Head Phone Hospital 01:28

10.Sensual Dismay 02:47

11.Aden Murmur 05:05

12.Captive Bliss 03:58

13.Vending Machine/Portal 02:17

14.Non Specific Interview 01:07

15.Tangent Cloak 1 02:13

16.Tangent Cloak 2 02:54

17.Exhausted 01:46

18.Green Blood 01:16

19.Blue Blood 01:46

20.Blood 02:24
TORRENT

Clark has expanded his score for Naqqash Khalid’s award-winning debut feature film ‘In Camera’, into a mesmerising new album. Containing timeless synth instrumentals like ‘Running Dreams’, a bittersweet cover of the Carpenters / Sonic Youth classic ‘Superstar’, and the first single, epic, rising builder ‘Green Breaking’, it’s a deeply rewarding listen.

Further honing his experiments in sound as subconscious vernacular, Clark’ original score was created in close collaboration with director Naqqash Khalid, whereby music and picture become an inextricable whole. Evoking the modern malaise, thematically ‘In Camera’ fits perfectly alongside Clark’s last two albums ‘Playground In A Lake’ and ‘Sus Dog’, also marking a new addition to his formidable canon of soundtracks

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Nubya Garcia — Odyssey (2024)

Released: September 20, 2024

Jazz / Fusion Jazz / Contemporary Jazz (UK)

Track Listing:

1. Dawn ft. esperanza spalding (4:52)

2. Odyssey (7:23)

3. Solstice (4:49)

4. Set It Free ft. Richie (4:06)

5. The Seer (5:02)       

6. Odyssey (Outerlude) (00:47)

7. We Walk In Gold ft. Georgia Anne Muldrow (3:54)

8. Water’s Path (4:01)

9. Clarity (6:15)

10. In Other Words, Living (4:07)

11. Clarity (Outerlude) (1:37)

12. Triumphance (5:54)

TORRENT

The multi-award-winning tenor saxophonist, bandleader and composer Nubya Garcia’s new album, Odyssey, is out Sept. 20 (Concord Jazz). Following her critically acclaimed debut album, SOURCE, Odyssey is a majestic feat that blends orchestral arrangements with R&B, jazz and dub. Produced by Garcia in collaboration with Kwes, Garcia returns with Joe Armon-Jones (keys), Daniel Casimir (bass), Sam Jones (drums). Featured guests include and esperanza spalding, Georgia Anne Muldrow and more